Chun Ting Lam

Praised for a voice of “deliciously deep and rich,” (Birmingham Post), Hong Kong baritone Michael Chun Ting Lam trained at the Liszt Ferenc Academy of Music, Hungary. He received his Master of Music in Vocal Performance from Royal Birmingham Conservatoire, where he was awarded the St Clare Barfield Memorial Bowl for Operatic Distinction and Joseph Weingarten Scholarship, and was supported by Opera Hong Kong K Wah International Vocal Scholarship, Foundation for the Arts and Music in Asia Limited (FAMA) Vocal Scholarships and Birmingham Conservatoire Scholarship Fund. Prior to that, he gained his Bachelor of Music from the Hong Kong Academy for Performing Arts, where he received a number of scholarships, including Welsh Male Choir Scholarship, the Bernard van Zuiden Music Fund, Mr Ng Fung Chow Memorial Scholarships, The Hong Kong Children’s Choir Chan Ho Choi Memorial Scholarship and Michael Rippon Memorial Scholarship.

Passionate about opera, Michael has sung more than 30 operatic roles and performed for opera companies in Asia and Europe in many major theatres and festivals, including Opera Hong Kong, Musica Viva, Winslow Hall Opera, OperaUpClose, Passaggio Oper, Opéra de Baugé and more. His operatic roles include Macbeth(Macbeth), Tonio(Pagliacci), Renato(Un Ballo in Maschera), Rigoletto(Rigoletto), Escamillo(Carmen), The Four Villains(Les Contes d’Hoffmann), Colline(La Bohème), Count Almaviva(Le Nozze di Figaro), Giorgio Germont(La Traviata), Forester(The Cunning Little Vixen), Bottom(A Midsummer Night’s Dream), Sharpless & Bonze(Madama Butterfly), among many others. A fan and advocate of contemporary music, Michael has also created roles in contemporary operas, include the role of Sakyamuni in Anna Vienna Ho’s Buddha and the Monkey King for Tête à Tête: The Opera Festival in 2020.

On the concert platform, Michael has appeared as a soloist in Haydn’s Nelson Mass (The Really Big Chorus and Hong Kong Police Choir); J.S. Bach’s Magnificat in D Major (Hong Kong Oratorio Society, HKOS Cantata Singers and HKFYG Hong Kong Melody Makers); Felix Mendelssohn’s Die erste Walpurgisnacht (Hong Kong Oratorio Society); Handel’s Messiah (Hong Kong SingFest); J.S. Bach’s Magnificat in D Major (Village Voices UK); Faure’s Requiem (Chesterfield Co-operative Choral Society); Brahms’s Ein deutsches Requiem (The Guild Consort Choir). He has also performed as the baritone soloist in “Another Night at the Opera” concert with Red Earth Opera, and “A Night of Celebration” and “French Connections” concerts with Midland Opera, and “Virtual Voices Opera Gala” concert with Oxford Opera Society. He has also been giving solo recitals regularly, including the one at St Andrew’s Church Rugby as part of the Rugby Festival of Culture 2019.

Michael was a first-prizewinner of numerous international and national singing competitions, including Hong Kong International Music Festival Vocal Competition, International Music Competition ‘London’ Grand Prize Virtuoso, Leamington Spa Competitive Festival, Abergavenny Eisteddfod Y Fenni, Birmingham Conservatoire Singing Prize, Philip Bates Trust Ashleyan Opera Prize, International Music Competition “Rome”, The North International Music Competition, Quebec International Music Competition. He has been given the Gil Rodriguez Scholarship Award from Opéra de Baugé for his outstanding contribution to the 2019 Operatic Season.

You can find Chun Ting Lam’s performance here.

Scroll to top